Tuesday, September 10, 2019
At the Meriden Public Library
105 Miller St. Meriden CT
VOTES FOR WOMEN
In 2020 we mark the 100th anniversary of womenâ€™s suffrage in the United States. The fight for womenâ€™s right to vote was long and took many twists and turns. Join us to learn about the Connecticut women who fought on a local, state, and national level and on whose shoulders we stand. Be inspired by their stories to use your vote to give a voice to women. This program is co-sponsored by the Meriden Historical Society and the Meriden Public Library. The program is free and open to the general public.Â
MERIDEN HISTORICAL SOCIETY COMMUNITY TAG SALE
- SEPTEMBER 14. 9:00 am â€“ 1:00 pm
- LOCATION: Meriden Historical Societyâ€™s Bernice Morehouse Research Centerâ€™s parking lot 1090 Hanover Ave. Meriden, CT 06451
- RAIN DATE: the Saturday following the original date
- COST TO SET UP: $15.00 donation toÂ the Society per set-up ($10.00 for members).
- CONTACT: Bill Siegel 203-237-2217
As in previous years, the Meriden Historical Society will set up its own booth in the shed. Â We hope to see you there.
We are looking for dedicated volunteers for the following projects:
- Cataloging and organizing our collection of photographs
- PhotographingÂ and cataloging items in our collections
- Researching (doing detective research work) to help answer the many queries addressed to the Society
- Greeters/docentsÂ for our open house events at the Andrews Homestead
Come meet our volunteers at the Bernice Morehouse Research Center, 1090 Hanover Ave. in South Meriden on Wednesdays between 1:30 and 4:00 pm.
FUNDrive â€“ FUNDRAISER THROUGH SAVERS
SATURDAY SEPTEMBER 14Â
9:00 AM â€“ 1:00 PMÂ
WEDNESDAY, SEPTEMBER 18
1:30 PM â€“ 4:00 PM
AT THE RESEARCH CENTER 1090 Hanover Ave. Meriden CTÂ
Your no longer needed, gently-used clothing, linens, jewelry, shoes, accessories (such as belts and purses), and small household goods can raise funds for us. We have teamed up with Savers Stores and their fundraiser program. Â Savers will pay us 20 cents per pound of soft goods and 10 cents per pound of small household goods we bring to them, so PLEASE think of us when you clean your closets.
CUNO FOUNDATION GRANT
We were delighted and honored to receive a $2000 grant from the Cuno Foundation. This grant allowed us to purchase a new, state of the art new computer/Work Station complete with a new wide screen monitor and will allow us to purchase more, much needed, acid-free, storage materials. While the first will consolidate all our digitized archival records and facilitate research, the latter will help preserve many of our fragile paper, cloth, and photographed materials.
Our heartfelt thanks to the Cuno Foundation for their continued support of our mission to preserve Meridenâ€™s past for future generations and our purpose: being an active research center disseminating information on Meridenâ€™s industry and Meridenâ€™s History.
NEWS FROM THE ARCHIVES
Meriden Cut Glass Company PATTERN NAMES
by: Paul S. Butkus
â€œGive Me Back My Nameâ€
There’s a word for it
And words don’t mean a thing
There’s name for it
And names make all the difference in the world
The lyrics above, from a song by the Talking Heads released in 1985, illustrate one of the frustrations with identifying cut glass patterns. With hundreds of patterns introduced by each glass company, developing unique names must have been a challenge and many times only numbers were used. Are the names we commonly use today to describe some of the more collectible patterns their original names?
Several Meriden Cut Glass Company designs are among the most collectible patterns. Names like â€œAlhambraâ€ immediately bring to mind pieces with a crenelated rim and a series of interlocking hexagons. The original patent, numbered 41,091 and issued to Thomas A. Shanley on January 17, 1911 does not list a name for the pattern but the Alhambra name appears in multiple company catalogs and period advertisements that exist in reference collections throughout the country and in reprints of some of those catalogs. For other patterns where documentation has not been readily available, some names may have been invented by those who were compiling pattern guides.Â As research continues and new evidence is discovered about pattern names, will collectors adopt the original names or hold onto the names they have been comfortable with for decades? â€œNames make all the Difference.â€
Recently acquired printed catalog materials from a number of wholesale and retail companies has shed light on the original names for the highly collectible patterns known in the trade as Theodora, Byzantine and Cetus. By cross referencing documented pattern names and images from Meriden Cut Glass Co. materials in the Meriden Historical Societyâ€™s collection and patent records with these advertisements, it was possible to identify which groups of cut glass items were made by Meriden (and also J.D. Bergen) even though not labeled as such. The wholesalers and retailers were relying on their own reputations for presenting the quality of goods instead of offering a branded product.
The following illustrations are from the â€œ13th Annual Illustrated Catalogue and Price List of A. C. Becken, The Chicago Wholesale Jeweler, 1904.â€
Commonly referred to as Theodora, this pattern by Wm. R. Eliot is described in patent No. 32,211, Feb 13, 1900:Â â€œspringing upward are feathers . . . giving them the semblance of peacock- feathers.â€ Printed name is FEATHER.
Commonly referred to as Byzantine, this pattern by Wm. R. Eliot is described in patent No. 32,210, Feb. 13, 1900:Â â€œAs herein shown, the design comprises four bands festooned, the surfaces of which are checkered, and on each band is a series of punties, differentiating in size.â€ Printed name is GARLAND.
A variant of the GARLAND pattern has a characteristic miter cut in place of the terminal punties and is named LONGWOOD.
Commonly referred to as Cetus, (a name apparently â€˜made up by the Pearsonsâ€™ according to CriticalGlass.com), is actually named CLUNEY.
Other illustrated patterns in this catalog correlate with well documented MCG Co names so it is unlikely that the names shown with these particular bowls were made up. Based upon the findings, we should give them back their names.
WELCOME TO OUR NEW MEMBERS
Karen Erasmus, Dave Fugge, Laureen Galayda, Joan Kilby, Justin Piccirillo
FOR THEIR GENEROSITY WE THANK:
Accredited Appraisals Associates
A Lee Campione
The Cuno Foundation
David S. Kenny
Jim & Beth Lewis
Rob LaRiviere at The Remodeling Company
Visitors to the Andrews Homestead
Visitors to Bernice Morehouse Research Center
Our Anonymous Donor at Your Cause.